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The image above was done for McSweeny's for an essay  about the difficulty several novelists had in recapturing the  the photograph of a man falling from the World Trade Center on 9/11  in words.

   These are the sketches I did in preparation:

With the first one I was trying to capture the epic proportion, and the multiple points of view of the event.

 In the next sketch I was dealing with the way writers were trying to invert the event.  One author presented the a series of photographs of the man falling in reverse so instead of falling he appeared to be floating upwards.   I wanted the figures to appear to be floating safely giving the viewer the ability to look on the event and not be threatened by it.  

In  the final sketch, I  wanted to freeze the falling man before the the most terrible part of the fall happens, allowing for safe contemplation of the event.

After I gave these to Jordan I told him that they were still flexible, I could splice different elements of  them into one.  He suggested that I take the figure of the first, and place it in the setting of 2 and 3, and keep the same man in the foreground.  That sounded good to me,  so

I did this drawing with ink graphite and watercolor:

And added this color layer in Photoshop:

I was told that the  finale would print darker than the original so I lightened the mid-tones in Photoshop using levels.