A new comic I'm working on with

Sean T. Collins. Check out the rest

at the comics section of my site.

A new color piece.

Old and new drawings that I never posted.

 

This is a new piece for the New York Times Op-Ed

page.  It was a great article, tracing the bombing of 

Pearl Harbor back to Teddy Roosevelt's foreign

policy with Japan at the turn of the century. He

won the Nobel Peace Prize for brokering peace

between Japan and Korea, a conflict he was 

secretly promoting. It was great to work with 

the new art director for the page, Aviva.

Here are some of the sketches:

 

Here are a couple new comics 

I've been working on recently.

Over the summer I had the pleasure of working with one

 of my good friends and former classmates Owen Brozman

on the album artwork for Blockhead's new album, out now

from Ninja Tune Records.  Owen did the original black 

and white drawings, and made the logo.  I colored the 

drawings, and designed the layout for the album, and 

single.  The album is out available online now, and will be 

in stores later in the year.  Below are some highlights 

from the album artwork.  Hopefully Owen and I will 

have the chance to collaborate again soon.

                                            

This is a new piece I did for Alex Chow over at Nylon Guys.  

The assignment was to do a portrait of Timbaland, and incorporate imagery from his new video game, Beaterator.  This was a fun assignment because I have never dealt with the subjects Hip Hop or video games in my illustration, and I was excited for the chance to see how I could translate those subjects into my own language. Alex sent me a link to the Rock Star Games trailer for Beaterator.

      

I was trying to imagine a place where club life and video game life merged, something that I thought was interesting because they're opposite life styles, one incredibly social, and the other  very anti social.

                                    When I looked at the web trailer, I realized Timbaland's presence was very slick and cool, but the excitement was  downplayed, so I tried to contrast his coolness, with an exciting party backdrop.

This was the first version I did of the piece,   The art director was happy with this, only wanted to see the expression on Timbaland's face  be more exciting.  I asked for reference for the specific expression he was looking for which he was  happy to provide,

I ended up redrawing the head, and was surprised at how different the two faces looked (the first image up top is the final) and ended up being very pleased with the new version. Thanks Alex.